http://champagnedelis.livejournal.com/ ([identity profile] champagnedelis.livejournal.com) wrote in [community profile] towerofanimus2011-08-16 01:45 am

Le désespoir

Open to all!
Setting: Floor 13
Format: Either~
Summary: Francisca reflects on the blackout and sings a hymn... as goodbye to her world.
Warnings: Angst, potential language



The voices were still whispering in her ears, her memory of the blackout far too keen. Her body still felt weighed down and tired from that far-too-close encounter with the not-England.

But England's voice had been too real.

She'd been trying to believe that England was alive - that this whole Tower business was just an elaborate scheme conjured up by some idiots smoking too much of Pays-Bas' drugs. But... perhaps she was now too tired to even attempt feeling hope.

She'd been strong as Rome and Germania would have expected of her, but even the strongest of defenses would slowly fall under constant fire.

She'd normally avoided this kind of place - too melancholy, too 'holy' for her tastes - but it was an apt setting for what she was about to do.

She moved to the altar, hearing the sudden hush of unheard voices, and took a shuddering breath, staring up at one of the beautifully decorated windows before she haltingly began to sing Pie Jesu, voice pealing out heartbrokenly in the language she'd almost forgotten since her childhood. Her eyes close as hot tears threaten to spill as she continues to sing.

England would have called her a drama-whore for it.

[identity profile] theoryofprocess.livejournal.com 2011-08-20 10:48 pm (UTC)(link)
Nagi nodded, taking several steps forward. "I was quite surprised when the lights came on- I awoke here amid the power outage." A pause, and she laced her fingers over her sternum. "But I cannot fault anyone for a moment of emotions, though I disagree with calling it a 'weakness'. Being desensitized is far worse."

[identity profile] theoryofprocess.livejournal.com 2011-08-21 05:09 pm (UTC)(link)
While the first thought in Nagi's mind was 'nation, what?', she managed to keep such from becoming the first thing on her lips.

"Passion, in theory, is the energy we use to further and protect that which we care for. My...master believed in a firm hand and a sturdy voice, but his conjecture is not my own." Nagi stepped forward further once again, this time close enough to actually feel on even footing with this woman.

"What is your name?"

[identity profile] theoryofprocess.livejournal.com 2011-08-22 02:51 am (UTC)(link)
"For some, this is true. But for others, the process of defending something passionately means never giving up, not until the last breath." Nagi took a moment to stroke her hair. somewhat concerned she was overstepping her boundaries. "Or, such is my conjecture. I suppose it is not the same for everyone."

Nagi seemed taken aback by the curtsey, bowing again, distractedly. "I am Geirin Kuzunoha the XVIII- however, I prefer to be called Nagi."

[identity profile] theoryofprocess.livejournal.com 2011-08-22 04:49 am (UTC)(link)
"No, it is an understandable theory- when one is feeling melancholy, it's only natural to be critical of one's emotions, isn't it?" That one she really was assuming was normal- she didn't know any other way of being, after all.

"Ah-" Sensible? She however, had no idea how to take the compliment, and simply gave a quick bow instead of saying anything in response. "Might I ask, however...what France is like? My master's associates often brought him wine from there, but we never got to visit."

[identity profile] theoryofprocess.livejournal.com 2011-08-22 06:42 am (UTC)(link)
Her first, gut reaction was to simply stand and wait for the scolding to be through. It occurred to Nagi several words late that it wasn't directed at the black-haired girl, but at the woman's home. Melancholy could make one critical...but of their home? Sure, the letters had claimed that their worlds were destroyed, but...surely nobody believed such nonsense.

Then something else hit her, making Nagi visibly gasp, no attempt even to hide her emotions. "Oh!" This woman...the only time someone had spoken so critically and emotionally about their home was Akijiro, and he had also claimed to be the village itself. In short, this woman must have been an important political figure in France. Francisca's despair suddenly made all the more sense to Nagi, who bowed her head, heedless of any remaining awkward.

"I am sorry you lost your beloved country. I imagine I would be much the same, if Japan were truly lost."

[identity profile] theoryofprocess.livejournal.com 2011-08-22 06:33 pm (UTC)(link)
"No one country holds priority over another. We cannot pin the blame on ourselves for surviving." This was a matter she'd already tried to help someone through before- and while that had failed, Nagi had to try again. "Especially with our captors being so clearly wrong about the process of our being here." That came out almost bitter, as if she too was irritated under the surface.

"But you still need not apologize. This is something we all must go through, in theory, by being here. I'm sorry I interrupted your singing." Nagi pursed her lips, as if looking for more appropriate words...but none came out.

[identity profile] theoryofprocess.livejournal.com 2011-08-23 02:18 am (UTC)(link)
Nagi gave a quiet laugh, turning sideways to try and convey she wasn't laughing at Francisca. "I will refrain from apolgoizing, then, or we will simply continue to cycle." It amused her mostly because of the many discussions she'd had with Akane back home...and how poor Tae had tried to scold them both.

"I am not the best with consoling others...but, I hope your heart will find peace, Bonnefoy-san." Nagi bowed her head lightly, crossing her hands at her thigh, matching the smile, though now equally tired. "Then you can sing much happier things."

[identity profile] theoryofprocess.livejournal.com 2011-08-24 07:18 pm (UTC)(link)
"I understand. Please, have a good sleep-...?"

Nagi's face grew blank at the cheek kisses, turning to watch Francisca leave.

...Europeans had some peculiar and awkward methods of 'au revoir'.