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animusmods) wrote in
towerofanimus2014-03-23 08:51 am
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Entry tags:
- *event,
- [au1] enoch,
- [au1] luke fon fabre,
- [au3] archer (prototype),
- [au3] riku,
- [ou] asch the bloody,
- [ou] capell,
- [ou] england,
- [ou] fon master ion,
- [ou] france,
- [ou] hilda (albw),
- [ou] neal cassidy,
- [ou] patrick dawn,
- [ou] sealand,
- [ou] shion,
- [ou] tobias,
- [ou] vietnam,
- [ou] wriggle nightbug,
- [ou] xion,
- [ou] zelda (oot)
For Thine Is; Part One
Characters: anyone outside of the Tower
Setting: outside
Format: any
Summary: You have been transported out of the Tower, and you must return quickly.
Warnings: psychological horror
It's pitch black here, though the ground is made of dirt and the Tower gleaming in the distance provides at least a sign that light exists somewhere. It's completely silent. It feels as if things might jump out at you--but that's probably your imagination.
Setting: outside
Format: any
Summary: You have been transported out of the Tower, and you must return quickly.
Warnings: psychological horror
It's pitch black here, though the ground is made of dirt and the Tower gleaming in the distance provides at least a sign that light exists somewhere. It's completely silent. It feels as if things might jump out at you--but that's probably your imagination.
no subject
Is this what happens when we're outside of the tower? [She points to their forms and their collars.
Hearing his tone and how near frantic he is, she knows they don't have much time for explanations.] We will gather all and head straight to the tower, is that what we need to do now?
no subject
I think this is just the glamour. [Or rather, the lack of it, since they're no longer inside the Tower. He doesn't have a better answer than that.
And it's not the important part, anyway.] That's what we need to do, yes.
[There's still a bit of a breathless quality in England's voice; he finds himself bizarrely transfixed by his own hands, not entirely convinced they won't erupt into boiling burgundy fluid any moment now. He's hesitant to tell Vietnam the truth, but if he doesn't, she and the others won't know what's really at stake. So, he amends his previous statement:] We'll die if we don't.
no subject
She believes it when he says that they will die. She could feel a heaviness sink inside of her, and then try to climb out, knowing that it will happen if they fail. But she needs to stay strong, for everyone, including the nation standing next to her.
She's not sure if it would help, and the way she does it was a little bit awkward (she had never comforted him before, so it's not like she knows how) and so she puts her hand on his arm. She would give him a soothing rub but their bodies don't feel exactly comfortable, right now. But it was evident in her voice, that she managed to hold back all fear.]
I know that my inexperience may make it seem like I am speaking out of place, but let us worry about death when it comes. Let's head off.
no subject
He focuses intently on his arm where her hand has settled, almost to the point of apparent distraction. But he's not spaced out — he's simply decided that the contact is as good of an anchor as anything else to use to try and pull himself together.
Once the shaky quality of his breathing has been reduced to just a slight tremble, England raises his opposite hand. The motion is hesitant, but after a few thoughtful seconds, he cups it over top of Vietnam's.] ...right. There's no sense in wasting time here. [His words still aren't quite as sure as they usually are, but England knows regardless that his statement is fact. They have to get moving; it's a long road ahead.]
no subject
Vietnam doesn't blame him; she'd probably do the same. But she doesn't move, leaving her hand there, and patiently waits for him to calm. Listens to his breathing.
And tries not to stiffen when she feels his hand on hers. However, she realised the movement meant that at least a part of him has returned. So she nods, her expression looking just a little brighter (barely) before she gives his arm a gentle squeeze under his hand.]
When we get back, I will make you a pot of tea. Which is really...hot water. [It was a bad joke, but she thought it might...help...]