Kariya Matou (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
vermicompost) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
towerofanimus2013-01-13 02:33 am
vermicompost) wrote in towerofanimus2013-01-13 02:33 am
Long lost days of you and me
Characters: Kariya Matou and open
Setting: The dormitories and the meadow (or anywhere else, if anyone would like to take him somewhere, as he isn't very mobile on his own– he likes visitors, and trips.)
Format: Action to start, but prose is fine, too
Summary: It's only been a year or so, by Kariya's reckoning (when he can remember), but time and magical parasites have taken their toll.
Warnings: blood and possible body horror or angst
Kariya's Room:
[It's difficult for him to move at all, yet he has his wheelchair, and he can push it a little ways. It's hard for him to leave the dormitories, yet sometimes he still tries. Not now. For the moment, he's resting in his room, his eyes closed, even though he isn't sleeping. It's hard for him to fall asleep.
His body is smaller than it used to be. He's shrunk. Both his eyes are oddly whitish, both sides of him equally affected by what lives within him. His pale skin is all lines and veins, and the movement of the worms within him is evident beneath it, where it shows. His skin appears so thin, it seems it might break at any moment. All of him seems like it might break. Sometimes it does. His skin cracks in lines where it's thinnest, and the blood seeps out. He hardly notices when that happens. Maybe it's because it happens all the time, or maybe he simply isn't thinking clearly enough to realize.
He mutters to himself sometimes, and today is no exception. Sakura, he says often, or he mumbles something about going back home. Back home. He's going to get there. He'll go back to the War, he'll fight and he'll win, and he'll make everything all right again. Suddenly, he speaks, his voice firming, loud enough to be heard clearly.]
I'll help everyone go home.
[That's what he'll do.]
The Dormitory Hallways:
[Kariya wheels himself slowly along. He probably won't get very far, but he likes the feeling of moving forward. (He hasn't told anyone he was going.) He likes to travel. He used to travel once, didn't he? He feels so confined when he's in his room too long, trapped in one place. It's better to get out and around. Unfortunately, the corridors are so confusingly, frustratingly similar.
When he's gone a certain distance, he forgets how far he's come and where he was headed. He stops in the middle of the hallway, not sure whether to go forward or back. Maybe if he waits here long enough, he'll remember. Or maybe it wasn't so important. This is a change of scenery, isn't it? He sits back and gazes down the corridor, a wasted figure with white hair, waiting for someone or something interesting to arrive. He can't see very well, but his expression, if anyone were close enough to read it, is a hopeful one.]
The Meadow:
[It's a good day when he can get to the meadow. Some days, he's stronger, if only a little. The meadow is his favorite floor. It's beautiful there. It makes him smile. The grass and the flowers remind him of the park where he used to play with the children. Sometimes he thinks it is that park. But not today. No, he's thinking more clearly today. He moves a thin arm and manages to take out his photograph, from where he always keeps it, in the pocket of his jacket. It's wrinkled and torn and stained with blood, but it's his. His picture of his family: that's Aoi standing beside him, his wife, and with them are two little girls: their two daughters, Rin and Sakura. When he goes home, he'll see them again. They'll be happy again.
He's forgotten that he never married, that he never had children. But why would he want to remember a thing like that?]
Setting: The dormitories and the meadow (or anywhere else, if anyone would like to take him somewhere, as he isn't very mobile on his own– he likes visitors, and trips.)
Format: Action to start, but prose is fine, too
Summary: It's only been a year or so, by Kariya's reckoning (when he can remember), but time and magical parasites have taken their toll.
Warnings: blood and possible body horror or angst
Kariya's Room:
[It's difficult for him to move at all, yet he has his wheelchair, and he can push it a little ways. It's hard for him to leave the dormitories, yet sometimes he still tries. Not now. For the moment, he's resting in his room, his eyes closed, even though he isn't sleeping. It's hard for him to fall asleep.
His body is smaller than it used to be. He's shrunk. Both his eyes are oddly whitish, both sides of him equally affected by what lives within him. His pale skin is all lines and veins, and the movement of the worms within him is evident beneath it, where it shows. His skin appears so thin, it seems it might break at any moment. All of him seems like it might break. Sometimes it does. His skin cracks in lines where it's thinnest, and the blood seeps out. He hardly notices when that happens. Maybe it's because it happens all the time, or maybe he simply isn't thinking clearly enough to realize.
He mutters to himself sometimes, and today is no exception. Sakura, he says often, or he mumbles something about going back home. Back home. He's going to get there. He'll go back to the War, he'll fight and he'll win, and he'll make everything all right again. Suddenly, he speaks, his voice firming, loud enough to be heard clearly.]
I'll help everyone go home.
[That's what he'll do.]
The Dormitory Hallways:
[Kariya wheels himself slowly along. He probably won't get very far, but he likes the feeling of moving forward. (He hasn't told anyone he was going.) He likes to travel. He used to travel once, didn't he? He feels so confined when he's in his room too long, trapped in one place. It's better to get out and around. Unfortunately, the corridors are so confusingly, frustratingly similar.
When he's gone a certain distance, he forgets how far he's come and where he was headed. He stops in the middle of the hallway, not sure whether to go forward or back. Maybe if he waits here long enough, he'll remember. Or maybe it wasn't so important. This is a change of scenery, isn't it? He sits back and gazes down the corridor, a wasted figure with white hair, waiting for someone or something interesting to arrive. He can't see very well, but his expression, if anyone were close enough to read it, is a hopeful one.]
The Meadow:
[It's a good day when he can get to the meadow. Some days, he's stronger, if only a little. The meadow is his favorite floor. It's beautiful there. It makes him smile. The grass and the flowers remind him of the park where he used to play with the children. Sometimes he thinks it is that park. But not today. No, he's thinking more clearly today. He moves a thin arm and manages to take out his photograph, from where he always keeps it, in the pocket of his jacket. It's wrinkled and torn and stained with blood, but it's his. His picture of his family: that's Aoi standing beside him, his wife, and with them are two little girls: their two daughters, Rin and Sakura. When he goes home, he'll see them again. They'll be happy again.
He's forgotten that he never married, that he never had children. But why would he want to remember a thing like that?]
no subject
Sometimes they listen, when people ask. I've asked them things before.
Not all the floors are like that. There's the meadow, the lounges, and the library. The children could use somewhere safe to play outdoors. I used to like to go to the park, back home.
no subject
But it would be nice if this tower really was a safe heaven, wouldn't it?
[It's a little pointless to fantasize and she knows it but she does it for his sake. As far as Wriggle's concerned he deserves all the happy thoughts he can get]
no subject
That would be nice. [He smiles at the thought. It's all too easy for him to give into fantasy, to escape the reality of the Tower and his condition.] I'd have Rin and Sakura with me, and we could be safe here together. It would be better than home.
They say they want us to be happy here. I wish that were really true.
no subject
[Or maybe she has and just forgot. Wriggle finally stops in front of the lift doors and waits patiently for it to arrive]
no subject
no subject
[As the lift arrives she calmly wheels him in and sets a course for the restaurant]
But I'm bad with faces, so I might of and just forgotten
no subject
[That's odd, as he considers Wriggle a friend. Rin can be antisocial, but Sakura isn't the same.]
But you could be right. There are so many people here, and they come and go. You'd like her, I'm sure. She's a sweet girl.
But how have you been, Wriggle? There haven't been many tests lately, have there? I'm glad.
no subject
But, I've been okay. Same old same old really, still patrolling for anything out of the ordinary, still hanging out with Remilia's crew. Y'know, the regular stuff.
no subject
That's true, when it's quiet, it usually means something's about to happen. I wish it could stay quiet. Then this place wouldn't be so bad. It would almost be nice. Except for the fact that Aoi's not here.
The regular stuff... [He smiles.] That's good. I'm glad you've been all right. I worry about you, though I know you can take care of yourself. [Something which he can't do any longer.]
no subject
[The lift finally comes to a stop and she wheels him to the staircase. Wriggle leans in, holding onto the sides of the wheelchair tightly and readies herself to carry him up the stairs]
Hold on tight, okay? We're almost there.