Kariya Matou (
vermicompost) wrote in
towerofanimus2013-01-13 02:33 am
Long lost days of you and me
Characters: Kariya Matou and open
Setting: The dormitories and the meadow (or anywhere else, if anyone would like to take him somewhere, as he isn't very mobile on his own– he likes visitors, and trips.)
Format: Action to start, but prose is fine, too
Summary: It's only been a year or so, by Kariya's reckoning (when he can remember), but time and magical parasites have taken their toll.
Warnings: blood and possible body horror or angst
Kariya's Room:
[It's difficult for him to move at all, yet he has his wheelchair, and he can push it a little ways. It's hard for him to leave the dormitories, yet sometimes he still tries. Not now. For the moment, he's resting in his room, his eyes closed, even though he isn't sleeping. It's hard for him to fall asleep.
His body is smaller than it used to be. He's shrunk. Both his eyes are oddly whitish, both sides of him equally affected by what lives within him. His pale skin is all lines and veins, and the movement of the worms within him is evident beneath it, where it shows. His skin appears so thin, it seems it might break at any moment. All of him seems like it might break. Sometimes it does. His skin cracks in lines where it's thinnest, and the blood seeps out. He hardly notices when that happens. Maybe it's because it happens all the time, or maybe he simply isn't thinking clearly enough to realize.
He mutters to himself sometimes, and today is no exception. Sakura, he says often, or he mumbles something about going back home. Back home. He's going to get there. He'll go back to the War, he'll fight and he'll win, and he'll make everything all right again. Suddenly, he speaks, his voice firming, loud enough to be heard clearly.]
I'll help everyone go home.
[That's what he'll do.]
The Dormitory Hallways:
[Kariya wheels himself slowly along. He probably won't get very far, but he likes the feeling of moving forward. (He hasn't told anyone he was going.) He likes to travel. He used to travel once, didn't he? He feels so confined when he's in his room too long, trapped in one place. It's better to get out and around. Unfortunately, the corridors are so confusingly, frustratingly similar.
When he's gone a certain distance, he forgets how far he's come and where he was headed. He stops in the middle of the hallway, not sure whether to go forward or back. Maybe if he waits here long enough, he'll remember. Or maybe it wasn't so important. This is a change of scenery, isn't it? He sits back and gazes down the corridor, a wasted figure with white hair, waiting for someone or something interesting to arrive. He can't see very well, but his expression, if anyone were close enough to read it, is a hopeful one.]
The Meadow:
[It's a good day when he can get to the meadow. Some days, he's stronger, if only a little. The meadow is his favorite floor. It's beautiful there. It makes him smile. The grass and the flowers remind him of the park where he used to play with the children. Sometimes he thinks it is that park. But not today. No, he's thinking more clearly today. He moves a thin arm and manages to take out his photograph, from where he always keeps it, in the pocket of his jacket. It's wrinkled and torn and stained with blood, but it's his. His picture of his family: that's Aoi standing beside him, his wife, and with them are two little girls: their two daughters, Rin and Sakura. When he goes home, he'll see them again. They'll be happy again.
He's forgotten that he never married, that he never had children. But why would he want to remember a thing like that?]
Setting: The dormitories and the meadow (or anywhere else, if anyone would like to take him somewhere, as he isn't very mobile on his own– he likes visitors, and trips.)
Format: Action to start, but prose is fine, too
Summary: It's only been a year or so, by Kariya's reckoning (when he can remember), but time and magical parasites have taken their toll.
Warnings: blood and possible body horror or angst
Kariya's Room:
[It's difficult for him to move at all, yet he has his wheelchair, and he can push it a little ways. It's hard for him to leave the dormitories, yet sometimes he still tries. Not now. For the moment, he's resting in his room, his eyes closed, even though he isn't sleeping. It's hard for him to fall asleep.
His body is smaller than it used to be. He's shrunk. Both his eyes are oddly whitish, both sides of him equally affected by what lives within him. His pale skin is all lines and veins, and the movement of the worms within him is evident beneath it, where it shows. His skin appears so thin, it seems it might break at any moment. All of him seems like it might break. Sometimes it does. His skin cracks in lines where it's thinnest, and the blood seeps out. He hardly notices when that happens. Maybe it's because it happens all the time, or maybe he simply isn't thinking clearly enough to realize.
He mutters to himself sometimes, and today is no exception. Sakura, he says often, or he mumbles something about going back home. Back home. He's going to get there. He'll go back to the War, he'll fight and he'll win, and he'll make everything all right again. Suddenly, he speaks, his voice firming, loud enough to be heard clearly.]
I'll help everyone go home.
[That's what he'll do.]
The Dormitory Hallways:
[Kariya wheels himself slowly along. He probably won't get very far, but he likes the feeling of moving forward. (He hasn't told anyone he was going.) He likes to travel. He used to travel once, didn't he? He feels so confined when he's in his room too long, trapped in one place. It's better to get out and around. Unfortunately, the corridors are so confusingly, frustratingly similar.
When he's gone a certain distance, he forgets how far he's come and where he was headed. He stops in the middle of the hallway, not sure whether to go forward or back. Maybe if he waits here long enough, he'll remember. Or maybe it wasn't so important. This is a change of scenery, isn't it? He sits back and gazes down the corridor, a wasted figure with white hair, waiting for someone or something interesting to arrive. He can't see very well, but his expression, if anyone were close enough to read it, is a hopeful one.]
The Meadow:
[It's a good day when he can get to the meadow. Some days, he's stronger, if only a little. The meadow is his favorite floor. It's beautiful there. It makes him smile. The grass and the flowers remind him of the park where he used to play with the children. Sometimes he thinks it is that park. But not today. No, he's thinking more clearly today. He moves a thin arm and manages to take out his photograph, from where he always keeps it, in the pocket of his jacket. It's wrinkled and torn and stained with blood, but it's his. His picture of his family: that's Aoi standing beside him, his wife, and with them are two little girls: their two daughters, Rin and Sakura. When he goes home, he'll see them again. They'll be happy again.
He's forgotten that he never married, that he never had children. But why would he want to remember a thing like that?]

Meadow
How are your girls today?
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Rin's not here right now. You know how she is, always busy. But she always goes back.
Sakura... I don't know where Sakura is. I should go to find her. [Sometimes he does remember that she never came here, that she's still with the Matous. Not right now.]
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They are, and they've only grown even more so. And is that your wife? They look just like her.
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Dormitory hallways
Hey, don't strain yourself.
[Wriggle takes hold of the handles of the wheelchair but she doesn't move him anywhere yet]
Where're you headed today?
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[He does seem glad, even though he is tired. He's breathing harder than usual, but he insists, as he usually does:]
I'll be fine.
[At her question, he pauses, not sure how to answer.]
I don't know. I wanted to go somewhere, that's all. Somewhere different.
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[It's an issue that's been done to death so many times so she doesn't peruse it much further than that]
Some fresh air might do you good? How about I take you to one of the outside floors?
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[He repeats these words as he often does.]
If we work together.
[But it doesn't take much to divert his attention to the soup. You did? Thank you, Romeo. I like carrot. It's one of my favorites.
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[He hands him the bowl]
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Meadow
Hurts him to know just how badly he failed.
Again.
There had been a time, long long ago, when all Lancer had wanted to do was see to it that this kind, honorable man find his way back to the one he wanted to protect so much, but nothing he had done ever worked. The tower had thwarted him at every turn.
And now, Kariya has been reduced to this state that can barely be called life, living in a delusion that Lancer cannot, no matter how far he's fallen, bare to break.
It's his fault after all and this...
...this his penitence for failing another friend, another...master.
He takes a deep breath and sets a smile on his face. The smile never reaches his eyes.]
It's a good day today, Lord Kariya, is it not?
Re: Meadow
You know you can just call me Kariya.
[But this exchange is an old one between them, and it's mostly a formality. Kariya says to call him Kariya, and Diarmuid calls him Lord Kariya anyway, the next time they meet. But old friends have rituals like that, don't they?
He returns Diarmuid's smile, never thinking it's less than sincere. But there are a lot of things he doesn't notice about Diarmuid.]
It's a beautiful day. There were butterflies before. It's been quiet here lately, hasn't it? [He means this as a good thing. He doesn't like the tests. He likes it when everything can be happy and peaceful. Which it is much more often in his mind than in actuality.] It's good to see you.
Re: Meadow
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OMG! That icon! The cute! *is dead*
Thank you! I thought he needed a cute icon to make up for all the ones where he's spitting up blood
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This is a nice little bittersweet spot. I'm thinking of leavng them here. What do you think?
I agree. That sounds good to me.
dormitory hallways; hope that's okay
She didn't look too different to anyone, but the extremely long hair and the taller figure was and obvious change to her usually childish looking form. She looked up and noticed the man that she had been taking care of for the last couple of years. At least, she tried her best in everything she did.
It didn't look like it helped him much at all, but Ishtar was a determined person, and she would find a way to fix this parasite problem. She had been trying for the past couple of years looking up things and researching but none of it came in handy because she didn't understand most of it. Where was Yujinn when she needed her cousin the most. He would have been able to explain things to her and allowed her to be able to use the research.
She tried, though. That was all she could down. There was a sad expression on her face as she saw him sit there with his hopeful expression and worn out form. She almost cried. It was so painful to watch. This man who was filled with such strong will from the first time they've met. ]
very okay!
[She's a familiar form before she's a familiar face, as he can't see her clearly until she's almost upon him. He smiles, but doesn't move his wheelchair toward her. His arms are too tired. The worms are even in his hands. They pulse there, and he waits for them to still. He must have pushed himself too far.
He can't allow himself to grow too excited, not even the mild excitement upon seeing someone he considers a friend. There are many things he can't do. But he knows Ishtar has tried hard to help him, and without her, he's sure he wouldn't be as whole as he is.]
I'm glad to see you. Is it time for my treatment again already?
[He feels like he could use it.]
Yay
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[Lancer gives a quick knock on the door frame. He's made visiting Kariya in his room a regular habit these days, since the other man is too weak to move around on his own.]
Helping everyone go home, huh? It's a nice goal. I bet Rin would proud of her father for saying that.
[He knows their actual relationship all too well, but he won't tell it to Kariya or anybody else. Not with the state that both of them are in. Better that they just stayed in their happy little fantasy, since they have so little else.]
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[He smiles, turning toward the door. A visit from Lancer isn't unexpected, but he's always glad to see him.]
Rin knows that's what I want. Sometimes she says I'm being foolish. She often thinks her father's foolish, but I hope she'll be proud of me someday. [He's joking, a little, but at the same time he's sincere.] I know we'll find a way.
[Sakura needs them.]
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I think Lancer needs to be slapped at this point
Yes! Lancer, don't torment poor Kariya like this.
Kudos to Kariya for taking it so well
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I want an AU where Lancer wins and wishes for the most evil beer
I want it too
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Hallways
You should not be here. Go back to your room.
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He's still afraid of her, even if she's no longer actively trying to kill him. The worms react to his emotion, and he feels some pain. In spite of his fear, he doesn't just do what she says. It's a moment before he replies, in his ruined voice.]
I don't want to. I wanted to go out.
[Maybe he sounds like a child, but if he realizes it, he doesn't care. She doesn't control him.]
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It probably was, too. A more focused person would not have seen him there at first.]
Going somewhere, Kariya?
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I'm not going anywhere.
[Not now. He's only– waiting. He could try to go to the meadow, but he doesn't feel like admitting that.]
I'm just here.
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room;
[ Not worry about Sakura. She's abandoned them by not coming here as far as Rin is concerned. So has her mother. All she has now is her father and she'll do everything in her power to keep him alive. In fact, that's probably the reason his body is still able to sustain life. Rin's selfish and she'll never let him go. If their grandfather can live for so long, then so can her father. ]
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I know, but I want to do it. There are so many people here, suffering. [He might care for Rin and her welfare more than any of those other people, but he's not insensitive to the suffering of the others, especially the children, forced to go through cruel tests again and again.] This place isn't right. How can we stay here?
The War's important, Rin. I have to save Sakura. [He hasn't given up on Sakura or Aoi. If they're not here, that's not their fault. It's the fault of the administrators, and maybe it isn't a bad thing. Maybe they shouldn't have to come to a place like this.
Some days, he does think Sakura's in the Tower, but not today. Today he's back to his usual fixed idea of saving her. Even if returning to the War will kill him in a matter of days, without Rin keeping him alive and with the incredible toll supporting Berserker takes on him.]
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Dorm hallways
Kariya? Is something wrong?
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No, nothing's wrong. I wanted to go out, that's all. [He pauses, before admitting:] But now I don't know where to go.
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I'm sorry this is so very late!
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meadow; oh my god i am so late
[Labrys crossed the meadow to where her friend was; even now she spent most of her time there. In the time that passed she had grown out of most of her childlike curiosity. Though the mechanical maiden hadn't aged (couldn't age) physically, she carried herself a bit differently. Straighter, more mature and confident than young and eager.]
[The school uniform was left in her trunk today--sometimes she wore it, other times it caused an almost painful sense of nostalgia. But still she wore the yellow scarf that accompanied it, today tied in a delicate bow around long silver-blue hair.]
It's nice t' see ya. [The accent was still very much in place, and though it hadn't changed, the tone in which she spoke it had become less coarse and more gentle over time.]
It's never too late!
Labrys. It's nice to see you, too. I hoped I'd find you here.
[He was proud of himself for making it so far alone. (Though Rin might not have approved.) He always enjoyed their talks. He wished they were able to talk more often, but on his worst days, he preferred to spare people, even Labrys, the sight of his sickness. The worms were starkly visible beneath his flesh, but at least they were motionless today.]
yaaaaaaay ;u;
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