Kariya Matou (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
vermicompost) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
towerofanimus2013-01-13 02:33 am
vermicompost) wrote in towerofanimus2013-01-13 02:33 am
Long lost days of you and me
Characters: Kariya Matou and open
Setting: The dormitories and the meadow (or anywhere else, if anyone would like to take him somewhere, as he isn't very mobile on his own– he likes visitors, and trips.)
Format: Action to start, but prose is fine, too
Summary: It's only been a year or so, by Kariya's reckoning (when he can remember), but time and magical parasites have taken their toll.
Warnings: blood and possible body horror or angst
Kariya's Room:
[It's difficult for him to move at all, yet he has his wheelchair, and he can push it a little ways. It's hard for him to leave the dormitories, yet sometimes he still tries. Not now. For the moment, he's resting in his room, his eyes closed, even though he isn't sleeping. It's hard for him to fall asleep.
His body is smaller than it used to be. He's shrunk. Both his eyes are oddly whitish, both sides of him equally affected by what lives within him. His pale skin is all lines and veins, and the movement of the worms within him is evident beneath it, where it shows. His skin appears so thin, it seems it might break at any moment. All of him seems like it might break. Sometimes it does. His skin cracks in lines where it's thinnest, and the blood seeps out. He hardly notices when that happens. Maybe it's because it happens all the time, or maybe he simply isn't thinking clearly enough to realize.
He mutters to himself sometimes, and today is no exception. Sakura, he says often, or he mumbles something about going back home. Back home. He's going to get there. He'll go back to the War, he'll fight and he'll win, and he'll make everything all right again. Suddenly, he speaks, his voice firming, loud enough to be heard clearly.]
I'll help everyone go home.
[That's what he'll do.]
The Dormitory Hallways:
[Kariya wheels himself slowly along. He probably won't get very far, but he likes the feeling of moving forward. (He hasn't told anyone he was going.) He likes to travel. He used to travel once, didn't he? He feels so confined when he's in his room too long, trapped in one place. It's better to get out and around. Unfortunately, the corridors are so confusingly, frustratingly similar.
When he's gone a certain distance, he forgets how far he's come and where he was headed. He stops in the middle of the hallway, not sure whether to go forward or back. Maybe if he waits here long enough, he'll remember. Or maybe it wasn't so important. This is a change of scenery, isn't it? He sits back and gazes down the corridor, a wasted figure with white hair, waiting for someone or something interesting to arrive. He can't see very well, but his expression, if anyone were close enough to read it, is a hopeful one.]
The Meadow:
[It's a good day when he can get to the meadow. Some days, he's stronger, if only a little. The meadow is his favorite floor. It's beautiful there. It makes him smile. The grass and the flowers remind him of the park where he used to play with the children. Sometimes he thinks it is that park. But not today. No, he's thinking more clearly today. He moves a thin arm and manages to take out his photograph, from where he always keeps it, in the pocket of his jacket. It's wrinkled and torn and stained with blood, but it's his. His picture of his family: that's Aoi standing beside him, his wife, and with them are two little girls: their two daughters, Rin and Sakura. When he goes home, he'll see them again. They'll be happy again.
He's forgotten that he never married, that he never had children. But why would he want to remember a thing like that?]
Setting: The dormitories and the meadow (or anywhere else, if anyone would like to take him somewhere, as he isn't very mobile on his own– he likes visitors, and trips.)
Format: Action to start, but prose is fine, too
Summary: It's only been a year or so, by Kariya's reckoning (when he can remember), but time and magical parasites have taken their toll.
Warnings: blood and possible body horror or angst
Kariya's Room:
[It's difficult for him to move at all, yet he has his wheelchair, and he can push it a little ways. It's hard for him to leave the dormitories, yet sometimes he still tries. Not now. For the moment, he's resting in his room, his eyes closed, even though he isn't sleeping. It's hard for him to fall asleep.
His body is smaller than it used to be. He's shrunk. Both his eyes are oddly whitish, both sides of him equally affected by what lives within him. His pale skin is all lines and veins, and the movement of the worms within him is evident beneath it, where it shows. His skin appears so thin, it seems it might break at any moment. All of him seems like it might break. Sometimes it does. His skin cracks in lines where it's thinnest, and the blood seeps out. He hardly notices when that happens. Maybe it's because it happens all the time, or maybe he simply isn't thinking clearly enough to realize.
He mutters to himself sometimes, and today is no exception. Sakura, he says often, or he mumbles something about going back home. Back home. He's going to get there. He'll go back to the War, he'll fight and he'll win, and he'll make everything all right again. Suddenly, he speaks, his voice firming, loud enough to be heard clearly.]
I'll help everyone go home.
[That's what he'll do.]
The Dormitory Hallways:
[Kariya wheels himself slowly along. He probably won't get very far, but he likes the feeling of moving forward. (He hasn't told anyone he was going.) He likes to travel. He used to travel once, didn't he? He feels so confined when he's in his room too long, trapped in one place. It's better to get out and around. Unfortunately, the corridors are so confusingly, frustratingly similar.
When he's gone a certain distance, he forgets how far he's come and where he was headed. He stops in the middle of the hallway, not sure whether to go forward or back. Maybe if he waits here long enough, he'll remember. Or maybe it wasn't so important. This is a change of scenery, isn't it? He sits back and gazes down the corridor, a wasted figure with white hair, waiting for someone or something interesting to arrive. He can't see very well, but his expression, if anyone were close enough to read it, is a hopeful one.]
The Meadow:
[It's a good day when he can get to the meadow. Some days, he's stronger, if only a little. The meadow is his favorite floor. It's beautiful there. It makes him smile. The grass and the flowers remind him of the park where he used to play with the children. Sometimes he thinks it is that park. But not today. No, he's thinking more clearly today. He moves a thin arm and manages to take out his photograph, from where he always keeps it, in the pocket of his jacket. It's wrinkled and torn and stained with blood, but it's his. His picture of his family: that's Aoi standing beside him, his wife, and with them are two little girls: their two daughters, Rin and Sakura. When he goes home, he'll see them again. They'll be happy again.
He's forgotten that he never married, that he never had children. But why would he want to remember a thing like that?]
no subject
I'm lucky too, to have my family.
[But he sounds uncertain as he says that. He pauses.]
When people disappear from here, do you think they go home, or do you think they die? There are graves in the graveyard for the people who've gone, and they don't come back. Maybe there's a way we can really die here. [Sometimes he does think it would be better for him to die. If not for Rin and for the pressing need he feels to go home, to do something important, he might try dying. It might be a relief.]
no subject
I don't know. If they died, their bodies would be in the grave, right?
[He just didn't feel like digging any up to find out.]
But a lot of the time, they're pretty healthy before they disappear. If they died, what made them just...die like that?
no subject
If the administrators can bring us back to life, they can kill us, can't they? It seems like they can do anything to us that they want. [Now he's getting melancholy again.]
no subject
[Though dying too many times in a row did give you some side effects. He had found that out by now.]
I think we're more valuable to Jason alive, though.
[Maybe that's the reason he keeps bringing people back, although everything else he did just made everyone hate his guts and get into competitions to piss him off.]
no subject
People come and go all the time. It doesn't seem like we're valuable to them. Not as individuals.
It might be kinder, sometimes, to let that happen. [If not for his need to help Sakura, to be strong for his family...]
no subject
[He definitely knows that some people in the Tower crave or deserve a final death. But at the same time, he would also do everything in his power to keep those people alive. It was because he considered them friends, so he wanted to see them alive and happy.]
[...Even if he had to lie to them.]
But, I'm glad we're the ones who are still alive. Because as long as you're alive, you'll always find some way to enjoy life.