Animus Moderators (
animusmods) wrote in
towerofanimus2014-04-27 06:16 pm
Ex Machina; Infiltration
Characters: Riki and the infiltration team
Setting: administrative levels
Format: any
Summary: Riki's efforts must be sabotaged. Stealth is the name of the game and time is of the essence.
Warnings: psychological horror
Though the chipped unit does not follow, he sees to it that the team advances the rest of the way. At the end of the lit corridor is a set of double doors, heavy-duty polished metal with small windows set into each one.
Through the windows, a massive machine is visible, connected to thousands of holographic screens that are hard to make out at the speed at which they're being manipulated. The machine sits in the center of the room and is networked to four elaborate terminals stationed along the walls via a complex tangle of panels, wires, and towers. Each of these terminals controls its own set of floating screens; the sheer amount of holographic monitors in the room is disorienting, and really, it's hard to tell what's connected to what.
In the chair in the middle of the enormous set-up is Riki, maneuvering all of the screens with the same ease with which most people breathe. His back is to the doors that lead into the room, and for the moment, he is utterly engrossed in his work.
Setting: administrative levels
Format: any
Summary: Riki's efforts must be sabotaged. Stealth is the name of the game and time is of the essence.
Warnings: psychological horror
Though the chipped unit does not follow, he sees to it that the team advances the rest of the way. At the end of the lit corridor is a set of double doors, heavy-duty polished metal with small windows set into each one.
Through the windows, a massive machine is visible, connected to thousands of holographic screens that are hard to make out at the speed at which they're being manipulated. The machine sits in the center of the room and is networked to four elaborate terminals stationed along the walls via a complex tangle of panels, wires, and towers. Each of these terminals controls its own set of floating screens; the sheer amount of holographic monitors in the room is disorienting, and really, it's hard to tell what's connected to what.
In the chair in the middle of the enormous set-up is Riki, maneuvering all of the screens with the same ease with which most people breathe. His back is to the doors that lead into the room, and for the moment, he is utterly engrossed in his work.

no subject
That is, until he notices the glittering things. This is an effect of the glamour? Standing up, he tries to go toward one, trying to aim at it with his javelin.
no subject
When things begin to glitter at the edge of the darkness, he watches with a mix of skepticism and paranoia. They might not even be real, but if they are...
no subject
It's still impossible to see what the glittering things actually are, though.
no subject
She's learned Strike Raid over her time in the Tower, and bringing her Keyblade out of the ground, she tries it now, thowing her Keyblade forward and calling it back to her, trying to see if it strikes anything. Or if she'll even be able to tell.
It was better than nothing.
no subject
no subject
no subject
He's not imagining them, right?
Sheathing his evoker, his hand reach for his sword instead, quiet and attempting to follow the things with his eyes.
no subject
... The giggling is what gets to her, though. That sounds far too much like shadow children for her to be comfortable. Tense, she doesn't attempt engaging them in any way beyond watching them when she can.
no subject
no subject
no subject
It reminded him of a place he had visited with Maki once. He needs to make sure the others are there too, and attempts to touch out to the nearest person.
no subject
Nothing like his earliest experience with the Dark Hour.
Whether they can see it or not, he gave a brief nod and watched the glittery things. He would utter a quiet "thanks", but no sound uttered from his mouth.
no subject
As for these glittery things-- The glamour being manipulated, it could be anything ranging from real threats to mere illusions. Hopefully, it would be the latter.
no subject
She squints into the darkness, trying to figure out how other people are handling it. It's almost instinctive when she holds out her hands. If she makes contact with someone else, she'll squeeze their hand.
no subject
Gandalf's light illuminates the characters, but not the space between or beyond them--it looks as if they're all standing in a perfectly black void, except for the things which glitter and swirl around them.
no subject
She tries to will it to disappear and reappear in her hand, wherever it is. He shouldn't be able to do that. It was impossible. It was the glamour. It had to be. It had to be.
No matter what happens though, Reno had asked her to watch him. Fight him if he lost control like Naoya had. She can see him at least, in the overwhelming darkness. She carefully tries to move position, to shift closer to him. Both for her own comfort and so she can do as he instructed.
no subject
no subject
His Graviga spell failed, but what about something else? Brow furrowing, Riku flicks his weapon, shooting a small breeze at the glittering forms.
no subject
no subject
A glance to the retrieval unit. It's still working, despite the darkness and looming glittery things. It must be able to see through whatever is going on.
Right, then. Rather than risk whatever might happen should those things get too close, Zelda decides to take a more defensive approach. Those looking her way will see her mouth something - an incantation, more out of habit than necessity - summoning a blue, diamond-shaped shield around herself, Asch, and Samus (should the mun be okay with that). Hopefully it'll work.
no subject
She takes a few steps towards the retrieval unit, careful not to get too close to the glittering perimeter.
For now, she isn't going to risk casting anything. Wind magic might be harmless enough, pushing the creatures back, but burning them might just make them angry. It had worked against the metal, but she's not going to push her luck.
no subject
no subject
Are they just glamour, or are they really there?
She moves with Yukiko to protect the retrieval unit. At the very least she can use her body to put a wall between the unit and whatever this latest attacker is.
I got permission for this from Matt last night
When he sees the shimmering things take form, he takes a step back in surprise...and almost trips over Naoya's unconscious form. If he could hear himself, he would have uttered a few choice swear words as he pulls Naoya up from the floor. Then, he sends a burst of fire at the creature, trying to get it to retreat away from him.
Got godmod rights to Lucifel again - Ally had to miss tonight too :(
He'd never succeeded in not acknowledging things in Heaven - but then, he'd never tried to. And even if it didn't work with the blood back in February, well. It didn't matter. It was his only other option against them.
Lucifel would have a much easier time doing the same, however, as lack of acknowledgment was an angel's natural state.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
DYNAMIC ENTRY
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
rng says she has just enough magic left
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)