Animus Moderators (
animusmods) wrote in
towerofanimus2014-04-27 06:16 pm
Ex Machina; Infiltration
Characters: Riki and the infiltration team
Setting: administrative levels
Format: any
Summary: Riki's efforts must be sabotaged. Stealth is the name of the game and time is of the essence.
Warnings: psychological horror
Though the chipped unit does not follow, he sees to it that the team advances the rest of the way. At the end of the lit corridor is a set of double doors, heavy-duty polished metal with small windows set into each one.
Through the windows, a massive machine is visible, connected to thousands of holographic screens that are hard to make out at the speed at which they're being manipulated. The machine sits in the center of the room and is networked to four elaborate terminals stationed along the walls via a complex tangle of panels, wires, and towers. Each of these terminals controls its own set of floating screens; the sheer amount of holographic monitors in the room is disorienting, and really, it's hard to tell what's connected to what.
In the chair in the middle of the enormous set-up is Riki, maneuvering all of the screens with the same ease with which most people breathe. His back is to the doors that lead into the room, and for the moment, he is utterly engrossed in his work.
Setting: administrative levels
Format: any
Summary: Riki's efforts must be sabotaged. Stealth is the name of the game and time is of the essence.
Warnings: psychological horror
Though the chipped unit does not follow, he sees to it that the team advances the rest of the way. At the end of the lit corridor is a set of double doors, heavy-duty polished metal with small windows set into each one.
Through the windows, a massive machine is visible, connected to thousands of holographic screens that are hard to make out at the speed at which they're being manipulated. The machine sits in the center of the room and is networked to four elaborate terminals stationed along the walls via a complex tangle of panels, wires, and towers. Each of these terminals controls its own set of floating screens; the sheer amount of holographic monitors in the room is disorienting, and really, it's hard to tell what's connected to what.
In the chair in the middle of the enormous set-up is Riki, maneuvering all of the screens with the same ease with which most people breathe. His back is to the doors that lead into the room, and for the moment, he is utterly engrossed in his work.

ARRIVAL
no subject
[David has some ideas, though. He turns and looks back at some of the other assembled members of the infiltration team, engaging his powered armor suit's flight systems—kicking him upward into the air by a good foot or so.]
Arright, who else has stealth powers? Or invisibility?
no subject
I don't think anyone here has powers like that. I was trained to sneak really well though.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
I don't exactly have stealth powers, but I am a ninja. I was trained for something like this.
(no subject)
(no subject)
Okay, now that finals are over! BACK TO THE ACTION.
Nice entrance in the NPC thread, BTW. :D
Thanks! :'D
no subject
...No powers like those. Just some standard sneaking in quietly ones.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
[And she looks David up and down.]
Are you sure you can go unnoticed flying so?
(no subject)
no subject
Okay. [She whispered to the rest of the group. Can't be too careful.] We should probably go in teams. Each one go to a different terminal if we can.
no subject
...and if it comes down to it and someone needs it, my magic's mostly back. I can heal, if we need it.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
*There's one more thing he wants to say anyway. One more shot. Because the tower's restoration isn't out of the question for them either.*
Would anyone be willing to do so with me? And if so, how could we go about this without drawing his attention to the others?
no subject
[Zelda sounds extremely stern, even with whispering.]
We cannot afford to fail here. Riki looks already well absorbed in whatever he is doing. He does not need to be distracted until we have to draw him out of the room.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
As well as shutting down the terminals... we should try as much as we can to figure out what he's trying to do. And... and if possible, how we can replicate it or something like it ourselves. If we need to.
[She's doesn't know how conditions have begun to deteriorate upstairs, and she's still convinced this might be about restoring the Tower. Finding out how to restore it isn't making a decision on what she should do. So it was safe. Safer, at least.
Even though she can tell, just looking at all the monitors through the window, that her suggestion is going to be a daunting task, at best.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
[A deep frown cuts across Riku's face, and he pulls his arms over his chest.]
I feel like, no matter what happens, we should be careful about what we do with him. I think we'd face better odds trying to sort out what he's planning before we do anything rash. Not that I trust the guy, but time's running short, and Riki is the guy with the most technical know-how.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
<Technology's not my thing, but I can run distraction. Just let me know what kind we'll need and I can pick a morph.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
[Samus folds her arms, and looks quite determined to throw herself into the line of fire if necessary.]
no subject
[There's a hint of steel in her voice because she's not too happy about being lied to by Riki all those weeks ago. And she really wants answers--everyone who participated deserves that much.]
FIRST TERMINAL
Team... is it a team?
It wasn't like she expected the terminals to look any different from the others in the tower. Honestly, she wasn't sure what to expect anymore. As she finally came up to it, she knew to expect even less.
She had no idea what to do here. Whatever was on the screen was in a language she couldn't even describe. With a language barrier in place, Veronica turned her focus on the controls, seeing if maybe she could use those instead. There had to be something she could use, right?]
(no subject)
(no subject)
(no subject)
(no subject)
late night appearance what a twist
a hero always arrives dramatically late
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
SECOND TERMINAL
Team Three Men and a Baby
The terminal's interface is identical to the ones upstairs. She arranges the keyboard and touchpad to her liking, then looks up at the primary monitor itself. The other screens are impossible to make out and the language barrier... there's no time to even try to crack it. Xion grimaces.
She remembers how Mitchell's terminal blew up when he'd tried to hack Riki's files over a month ago. Anything too big that she does could be dangerous. She needs to save her obtrusive things for actually shutting the terminal down. For now she tries to see what onscreen she can interact with, if she can minimize the current tasks and see what other ones are running.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
THIRD TERMINAL
Team Knights
This could be trickier than anticipated.
Kneeling as to not accidentally cast shadows from the pale light of the monitor, she looks to the rest of her group with a quirked eyebrow. How do you want to tackle this, guys?]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
FOURTH TERMINAL
Team... hey, well, he's not really on a team
How 'about Team WE MEET AGAIN, DOCTOR JONES?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
RIKI
A set of red lights flickers to life, and Riki is lit in eerie crimson. He doesn't seem to need as much light as a regular human would to see, however, because he looks around the room with accuracy.
"What are you doing down here?"
TEAM DISTRACTION, CHANGE OF PLANS!
"We could ask you the same thing. What are you doing?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...